
The Real Housewives of Nollywood
Nigerian cinema is obsessed with films about the wealthy. Can class politics shine through?
Nigerian cinema is obsessed with films about the wealthy. Can class politics shine through?
At a time when Evangelical Christianity frequently goes against the interests of African people, is it time for us to re-make Christianity?
In the late 1890s and early 1900s, a number of West African Muslims migrated east, settling in Sudan and Mecca, to seek refuge from European colonization.
Was the #EndSARS protests a victory or a defeat for the country's popular masses?
The recent #EndSARS protest in Nigeria reveals how young people carve out agency in the context of Nigeria's dysfunctional and violent state.
The background to the #EndSARS protests and celebrating a movement that challenges Nigeria’s ruling class.
Director Abba T. Makama's 'The Lost Okoroshi,' attempts to unpacks identity through masquerades in an increasingly ethnocentric Nigeria.
The Nigerian drama 'Òlòtūré,' about sex work and sex trafficking in the country’s commercial capital, which premiered on Netflix, is mostly uncomfortable. And not in a good way.
Women in Nigeria's Kaduna state march naked and partially dressed to demand an end to deadly violence. In the process, they challenge norms about the female body.
It is unfair to expect coherent politics from Naira Marley or his fans, the Marlians. We should, instead, chastise the Nigerian state for stifling its people and keeping its young perpetually waiting.
On the second anniversary of Nigeria’s African Action Congress party, it is time to take stock of its track record and political prospects.
The new short film "Ifé" is a moving story about the delights and difficulties of human relationships.
The recent suspension of Nigeria’s anti-corruption tsar provides an opportunity to re-assess the country's anti-corruption approach.
A fan of rapper Naira Marley writes that it will take more than counter-cultural popularity to effect any tangible change in Nigeria.
Eko Atlantic in Lagos, like Tatu City in Nairobi, Kenya; Hope City in Accra, Ghana; and Cité le Fleuve in Kinshasa, DRC, point to the rise of private cities. What does it mean for the rest of us?
Rather than addressing food scarcity, genetically modified crops may render African farmers and scientists more, not less, reliant on global markets.
Plutôt que de pallier l’insécurité alimentaire, les cultures génétiquement modifiées risquent de rendre les agriculteurs et les scientifiques africains plus, et non moins, dépendants des marchés mondiaux.
Pressure on African writers to avoid the criticism of poverty porn limits the imagination of the writer and the ability to speak truth to power.
The irony of preaching social distancing to those living in close urban dwellings in Lagos exposes the crass nature of class disparities in Nigeria.