Bill T Jones’ “Fela!,” the musical interpretation of the life of the Afrobeat king, is up for 11 Tony Awards–the most of any show this year–including Best Musical.  I haven’t seen any of the other shows up for contention, but I can attest to the brilliance of the show. From Jones’ direction, to the acting of the leads Sahr Ngauajah and Lilias White, the set, the music and the dancers, and the  Well done. (I won’t get drawn into debates again about the show’s premise or omissions, whether ridiculous charges of minstrelsy or revisionism about Fela’s backward sexual politics.)

Well done.

Watch the announcements on The Tony Awards website just to hear actor Jeff Daniels–announcing the nominees–mangling the show’s title: “Feel-laa.”

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.