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Last month South Africans BLK JKS played the Festival Rio Loco in the south of France–for what was a South Africa focus at the festival. They invited Malian Vieux Farka Toure and his band to join them for what was billed as “100% African Rock.”  The result: one and a half hours of good music. Even better, for an encore they bring on Thandiswa Mazwai to perform a cover version of the late Brenda Fassie’s “Too Late for Mama” with the  new 100% Afrian Rock band. Sean Jacobs

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.