[youtube=http://www.youtube.com/watch?v=woHMTgvfs_E&w=500&h=307&rel=0]

Hip hop now has its own museums, honors shows on basic cable, and rap beats drive car commercials.  So I am surprised when good hip hop happens again, whether from trusted sources or from artists you’ll never hear from on the radio.  Like Jay Electronica recent “The Ghost of Christopher Wallace.” If you missed his “Exhibit A” and “Exhibit C”–I prefer the Mos Def remix for the latter–google it and take a listen.

Sean Jacobs

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.