[youtube=http://www.youtube.com/watch?v=jgAhDy41Vwk&w=500&h=307&rel=0]

In this short video Portuguese singer Carmen Souza speaks about her third album “Protegid” (which she recorded with Theo Pas’cal), her Cape Verdean roots, the “Rabelados” (Creole for ‘rebels’, or, ‘non-violent rebels of the Cape Verde Island’, as they are known these days) and jazz pianist Horace Silver (himself born to a Cape Verdean father).

Here’s a great live recording of her playing “Song for my father”:


[youtube=http://www.youtube.com/watch?v=YGZc2QEFm1A&w=500&h=307&rel=0]

We like our jazz.–Tom Devriendt

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.