Bridging the Western art world and the West African film industry, London-based artist Doug Fishbone cast himself as a local farmer in the film Elmina, a feature-length movie shot and produced in Ghana and starring well-known Ghanaian actors. The over-the-top story is rife with witchcraft, murder, and intrigue as the characters battle against corrupt multinational corporations, but it all pales in comparison to how bizarre (sometimes painfully and sometimes amusingly) it is to watch Fishbone, “a white Jewish guy from New York,” play the lead role without any reference to the overtly odd casting choice. “In a quietly radical way [it] completely overturns conventions of race and representation,” he says. Adding another level of interest is Fishbone’s choice to release the film throughout Africa on DVD–planting one foot in mass-media–as well as to put it on limited display at the Tate Britain and Rokeby galleries in London–planting the other in the more limited art world.

From the little I’ve read I like the politics behind this project, but I’d like to hear what others think of it.  Here’s the film’s trailer:


[youtube=http://www.youtube.com/watch?v=3VdcYp8neDg]

Via [H/T: Nerina Penzhorn]

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.