Pioneer Unit’s on fire. Yet another release by the Cape Town label, this time a collection of ‘lost tapes’ by Lesotho-born musician Konfab, who describes himself as a “presently disadvantaged, previously dissed and damaged, seriously pissed-off, with anger mismanaged, half-foreign, urbanised darkie.” This is one of the featuring collaborations (with AIAC favourite JAAK):
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(Picture by Ann-Sophie Leens.)
After 50 Years of independence in Mozambique, what and how to celebrate?
Depois de 50 anos de independência em Moçambique: o quê e como celebrar?
The founder of a digital archive of African deities explains the motivation behind its creation.
A postmortem on the African Growth and Opportunities Act.
Despite the popularity of the Sahel’s military leaders internationally, most Malians have yet to see improvement to their material conditions at home.
Africa’s biggest filmmakers are rejecting Western demands for resolution and containment in cinema—instead embracing ambiguity, rupture, and silence as tools for historical reckoning of African stories.
Amid Trump’s tariffs, Africa faces trade disruptions, corporate power, and emerging partnerships in its quest to control its economic destiny.
Musical traditions and language from Edo State have moved from the margins of Nigeria’s national (and international) culture to the center.
A new documentary film examines the politics of waste work and discard infrastructures in Dakar.
A portrait of South Sudan’s unfinished journey, where political sacrifice meets everyday survival, and the burden of memory contends with the quiet power of continuity.
In Johannesburg, a new generation of Black cyclists is redefining joy, movement, and solidarity—taking over the streets to ride, to reclaim space, and to reimagine freedom.
A lack of reliable statistics and coherent strategy to address femicide in Kenya, has left a culture of everyday insecurity for women in the country.
In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.
On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.
Europe’s flagship development plan promises investment and partnership—but delivers debt, displacement, and old colonial patterns dressed up in green.
In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.
Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.
Web3 utopians promised a sovereign future for the African diaspora—but what they delivered was a networking club for elites, wrapped in crypto-libertarian hype and Afro-futurist aesthetics.
In the aftermath of the Stilfontein mining tragedy, South Africa must confront not just policy failure but a deeper amnesia: the erasure of women, memory, and indigenous ethics from its extractive economy.
The oppositional sartorial lens of Congolese sapeurs exposes the limits and frailties of representation work in New York’s Met Gala.