The Women of Tahrir
Images by anthropologist Yasmin Moll. For more work by Moll, watch Fashioning Faith or read her recent contributions to The Revealer.
Further Reading
Whose museum is it anyway?
The dispute over Benin City’s museum project shows that returning stolen art does not settle the question of ownership.
Minnesota was promised to us
Somalis have answered Trump’s latest racist tirade not with outrage but with a tidal wave of trolling.
The golden light of Pops Mohamed
From Actonville to global stages, Pops Mohamed blended tradition, futurism, and faith—leaving behind a musical archive as luminous as the spirit he carried.
Pints and powerpoints
From IMF history to astrophysics, Nairobi’s Drunken Lectures turn casual drinkers into an engaged public.
Guinea’s bet on iron ore
A $20 billion iron ore mega-project is reshaping Guinea’s economy and politics, but communities in Simandou say they still lack water, electricity, and accountability.
Khartoum, the most selfish city: if we let it be
Khartoum’s recovery is not a national recovery. Until Sudan confronts the violence that has long been concentrated outside the capital, ‘liberation’ will remain a hollow word.
Calling Trump’s bluff
As the White House hypes “Christian genocide” and floats military action, northern Nigerians are responding with satire.
Paying for citizenship
What began as a revenue lifeline for small island states has become a global market where the wealthy buy mobility and sovereignty itself becomes a commodity.
What Graham Platner reveals about the US left
The economic emancipation of the American working class cannot come at the expense of the global working class.
Beyond independence
The post-colonial settlement has left Africa vulnerable to conflict, external pressure, and intellectual dependency. What comes next?
Trump’s beef with Nigeria
Trump’s threats of military action against Nigeria are not about Christian genocide, but are about rare earths, China, and the scramble to control Africa’s mineral future.
Davido’s jacket
Davido’s appearance at ‘Amapiano’s biggest concert’ turned a night of celebration into a study in Afrophobia, fandom, and the fragile borders of South African cultural nationalism.
Empty riddles
Drawing on his forced migration from Rwanda, Serge Alain Nitegeka reflects on the forms, fragments, and unsettled histories behind his latest exhibition in Johannesburg.
Heritage on horseback
A photo essay on Nigeria’s Durbars and the power of royal pageantry.
When Moscow looked to the horn
Half a century after the Soviets built their base on the Gulf of Aden, the same strategic coastline is once more drawing in foreign powers, old and new.
How much does a Nigerian intellectual cost?
The country that once produced some of Africa’s fiercest moral voices now struggles to sustain independent thought.
The sound of what remains
Jean Maxime Baptiste’s latest film listens to how grief and history reverberate across generations in French Guiana.
The coup kids are in charge now
Across the continent’s new coup belt, young officers are stepping into power, casting themselves as guardians against corrupt civilian elites.
Who cares about African heritage?
While the world debates restitution, Africa’s own heritage institutions are collapsing. The question is no longer who took our past, but who is keeping it alive.
Life after aid cuts
Trump’s aid cuts have gutted HIV programs across Nigeria—forcing local women-led groups to rebuild health and dignity from below.