“Skoonheid,” the new film by South African director Oliver Hermanus will be screened in the Un Certain Regard section of this year’s edition of the Cannes Film Festival (starting next month). He is in good company. Check the Cannes site to see who else got invited.

The film is also the first Afrikaans film to be included in Cannes Film Festival’s official program. The film–the title translates as “Beauty”– “… tells the story of Francois van Heerden, a mid-40s, white, Afrikaans-speaking family man living in Bloemfontein, who has become devoid of any care or concern for his own measure of happiness, and so convinced of his ill-fated existence, that he is wholly unprepared when a chance encounter unravels his clean, controlled life.”

I like the film language of Hermanus (he studied film at the University of Cape Town, UC Santa Barbara and the London Film School), so I’m looking forward to seeing it whenever. Hermanus’ debut film, “Shirley Adams,” which I saw at the New York African Film Festival last year, a claustrophobic film about the desperate lives of a working class woman and her disabled son, is definitely worth a look.

Sources: Film Contact, Festival du Cannes, Screen Daily

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.