Independence Day in Equatorial Guinea

Equatoguineans may not have much to celebrate on independence day: They've been free from colonialism since 1968, but the current ruler has been in power since 1979.

Malabo, capital of Equatorial Guinea (Flickr CC).

What’s to celebrate on independence day in the land of the current chairperson of the African Union? Not much, when reading what Guinean writer (in exile) Juan Tomás Ávila Laurel publishes on his blog. Or it should be the construction of those presidential villas, mitigated by them apparently being put to use during next year’s African Nations Cup. Let’s try it anyway.

Melitón Pablo Mangué tells us Guineans are dancing to Mbini’s “Misek Bi Nnem” and Antorcha De Zaragoza’s “Nza Ve Me Nnom” at the moment, although the videos haven’t surfaced on the net yet — let us know when you find them. Recent hits that do come with a video are: Fifi La Mirey’s ‘Angon Osok‘, Luis Mbomio’s shiny Faya Faya, among others.

Then there’s like “Bicomsua” by Tawola Mesam and Sandra Star and ‘Mi Cosa‘.

Yuma is throwing a party.

And some Equatoguinean Spanish hip hop to end this music break. (Spanish is one of the country’s two official languages – French being the other one). It is Verso Roto’s “Arte Sagrado.” (On hip hop:  Here‘s a good blog to follow up on what’s new in Equatorial Guinea hip hop.)

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.