It’s been a long time coming. The case that was opened in 2007 by Bienvenu Mbutu Mondono against the publishers of Hergé’s ‘Tintin in the Congo’ (published in some languages as ‘Tintin in Africa’) finally got its hearing at the Brussels court yesterday. “The problem is not Hergé’s,” Mondono’s lawyer told the press. “The problem is the commercialisation of a comic manifestly spreading ideas that are based on racial superiority.” The publisher’s lawyer warned a ban would be like opening Pandora’s Box. “What with the anti-Semitic passages in Dickens’s work? Mark Twain? The Bible?” It’s unlikely the judge will forbid the future publishing of the comic outright. Settling for a warning (like the English editions carry these days) sounds more probable. After being postponed several times, the case should come to a close later this year. That’s when Spielberg’s Hollywood version of Tintin will hit the theatres here. Timing is everything.

Further Reading

Trump tariffs and US Imperialism

Trump’s April 2025 tariff blitz ignited market chaos and deepened rifts within his own coalition. Beneath the turmoil lies a battle between technocrats, ultranationalists, and anti-imperial populists, all vying to reshape—or destroy—American global power.

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.