From Maputsoe, Lesotho comes a new video for Kommanda Obbs’s ‘Hona Joale’, recorded in the city of Maseru and on the Thaba Bosiu sandstone plateau (where the previous–under the rule of King Moshoeshoe in the nineteenth century–capital used to be). The chorus goes something like this: “I have been broke for a long time, standing on the corner, shooting dice. Right now I’m on form, I’m everywhere. See me on television…”

H/T (and translation): Ts’eliso

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.