My favorite photographs N°2: Scott Williams

South African photographer Scott Williams is the second guest in our new weekly series. He has, he says, masqueraded as a freelance photographer during his lunchtimes and after-hours for some eight years. “I love to document the unseen, positive part of the Cape Town hip hop scene. The ‘underground’ (a dirty word), as it were. In the future, I’m planning to focus even more on Park Jams (free hip hop events held in communities) because I enjoy the thrill of a raw performance and the reaction of parents, friends, neighbours to their artists’ hidden talents.” More of Scott’s work can be found at nar8iv.tumblr.com and on his flickr page. Along with his 5 favorite photographs, he sent us some words:

My first photo, above, was taken in Westridge, a suburb of the infamous Mitchells Plain in Cape Town. This particular location is a consistent favourite for DJ’s, graffiti artists, breakdancers and MC’s who are the organizers behind Park Jams. These sorts of events provide the opportunity for collaborations and interactions between people from areas separated by large distances. This image is also proof of the opportunity to examine some of the standard architecture templates used to execute the Group Areas Act’s strategy.

Baby L. Hip Hop Connected

This photograph of Baby L was taken during the Hip Hop Connected show at the Artscape Theatre in 2005. This was the first hip hop show ever allowed on the Artscape stage since the inception of South Africa’s “Democratic Era”. Interestingly, the show played to a packed house on a fraction of the budget provided to the Theatre’s Ballet productions.

Falko. Write for Gold

This particular piece of graffiti by Legendary artist Falko referenced a R50 note. To add a touch of whimsy to the shot I asked several people passing by whether they could hold up their currency. Eventually, I found a willing participant.

Little Mogadishu. Bellville

Bellville Middestad has been known as “Little Mogadishu” for a while because of the influx of Somali business people. Bellville is a junction of many intersecting transport routes in Cape Town and due to its concentration of travellers has logically become a profitable place to settle, especially for the Somali community whose businesses are often the target of xenophobic attacks. Ironically, these businesses often provide Capetonians with employment and promote regeneration of infrastructure. See how many South African flags you can find in this barbershop.

Klein Nederburg

This image was taken with an Olympus Trip35, a camera often referred to as “The Poor Man’s Leica”. I hardly ever switch to a film camera but my project with Paarl based MC Jaak required a different treatment. He had requested a nostalgic feel for some of the images, hence the deviation from the norm. The relationships formed with many hip hop artists have allowed me to visit communities — such as the one here in Klein Nederburg which I would never have visited on my own. The image taken is an example of how similar the architecture is to that of the Mitchells Plain area, despite the distance.

Further Reading

On Safari

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The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.