Paolo Patrizi’s photographs of ‘shrines to the shortcomings of globalization’

Italian photographer Paolo Patrizi says about his work on the “Italos”:

I used landscape shots to capture the phenomenon of Nigerian prostitution in Italy. My photographs contain the signs left behind by cars, waiting times and customers’ transactions. What emerges is a sub-human condition these women live daily. Some appear as if tricked by the idea that one day their prostitution status will be made legal. I have tried to deliver the emotion and the atmosphere of the eerie places I visited, thus allowing the viewer a glimpse of the littered makeshift sex-camps […] pits of dirt and abuse, shrines to the shortcomings of globalization.

You’ll find Patrizi’s full series here. (For more background on ‘The Italian-Nigerian Connection’: Orlando von Einsiedel’s documentary on the topic is informative: part I and II.)

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.