Football: The 11 Commandments of Rigobert Song

When the good Lord handed down the Decalogue to Moses atop Mount Sinai, he limited himself to just the ten commandments. The new boss of Cameroon’s national football team, Rigobert Song, is obviously more demanding.

Song met up with his team in Guinea-Bissau this week, and made them all sign up to a rousing 11-point “sermon”. Here is the English version, courtesy of the BBC:

  • The Cameroon national team is sacred, serving it is my only goal
  • The green-red-yellow is sacred, I shall wear it in every stadium, honour and defend it
  • Playing for my country is an honour, with loyalty, fidelity and courage I shall represent it
  • Each match and each selection is goodness shared with my people, my public and mates
  • With my team-mates I shall be strong, with friendship and solidarity my watchword
  • Respect for elders is a principle, from them I inherit this jersey, illustrious they handed it to me and glorious I will pass it on
  • I shall communicate with my coaches, comrades and officials, dialogue shall remain my strength
  • No matter the time and place, player or substitute I shall serve with enthusiasm and professionalism
  • I shall give my best in the field, I shall be humble and hold my head high
  • From North to South, East to West, I shall be a model for the youths of Cameroon and Africa
  • Indomitable I am, indomitable I shall remain

Blimey. Truth be told, it would be nice if Cameroon’s Lions were a bit less domitable than they’ve been of late. Despite having many of Africa’s most gifted players, including Rigobert’s Arsenal-based cousin Alex, and of course the world’s highest-paid footballer and timepiece obsessive Samuel Eto’o (who at one point was banned for an astonishing 15 matches) Cameroon have been all over the place since former French boss Paul Le Guen’s strife-riven spell in charge.

Maybe the Nigerians should try something similar?

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.