Africa Is a Country

Summer in Paris

Africa Is a Country Podcast
African Five-a-Side Podcast

Summer in Paris

By
Hinda Talhaoui

In what may be the last in a while of my posts highlighting the latest in French music culture, here's a list of tunes for the northern summer.

Screenshot of Atheena in her and Kamelac's music video for "Pas Besoin."

What’s good in Paris this summer? The city’s airwaves of course. And it being France’s capital and its largest metropolis, the country’s most talented musicians congregate there. First up, representing the city’s music is Kamelanc’ (born in Oujda, Morocco) and Atheena (representing Senegal) with ‘Pas besoin‘:

Then Orelsan (born in Alençon). ‘La terre est ronde‘:

Kayna Samet’s (born in Nice) comes with her ‘Ghetto Tale Remix‘ feat. Youssoupha (born in Kinshasa, DRC), Médine (representing Algeria) and Leck (Mokobé’s protegé).

Alonzo (government name Kassim Djae, and originally from the Comoros Islands off Africa in the Indian Ocean, but who grew up in Marseille, Paris’s southern rival, brings ‘Avoir une fille‘:

Princess Sarah, from Avignon (with a Lebanese father and French mother) prefers autumn over summer.

Collectif Métissé’s (just above, many nationalities here but based in Bordeaux) brings us the heavily Caribbean influenced summer tune “Z dance” (I wouldn’t mind if we forgot about the song by autumn).

M.A.S (né Malik, representing Morocco) riffs off Lil Wayne and Bruno Mars’ ‘Mirror’ in his ‘Des regrets.’

Kenza Farah’s (born in Béjaïa, Algeria) presents “Quelque part.”

Tal (representing Yemen and Israel) featuring Mokobé (representing Mali) on ‘Je prend le large.’

Finally, there’s Matt Houston (born in Sainte-Anne, Guadeloupe) collaborating with Nigerian superstar duo P-Square.

Further Reading

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.