This summer’s Fuse ODG #ANTENNADANCE competition (“one person controlling the other using azonto movements”) courtesy of the Antenna smash hit resulted in some wild entries (Google it; H/T Jacquelin Kataneksza). Above: #TeamLONDON. And more good moves in the video for Congolese artist Lexxus Legal’s ‘Petits Congolais’ (off his “music record for kids”):

Early Sages Poètes de la Rue member Zoxea, repping Benin (his dad, Jules Kodjo, used to play for the national football team):

http://www.youtube.com/watch?v=KxUseCgMmgQ

A collaboration between Danay Mariney and Kobi Onyame, who grew up between Accra (where he was born) and London, now based in Scotland. Video was shot in South Africa:

http://www.youtube.com/watch?v=_Or4nw2OykQ

Tapping that London connection, here’s a dreamy video for Maka Agu (aka Ti2bs):

From Queijas (Portugal), new material by video artist, slam poet, MC and beatmaker Alexandre Francisco Diaphra (who goes by many names and claims many locations, among them Pecixe Island, Guinea-Bissau):

Promo video (interviews + outtakes) for the recently released Fangnawa Experience album, a collaboration between Burkina Faso-born Korbo (and his French music collective Fanga) and Moroccan Gnawa master Abdallah Guinéa (with his band Nasse Ejadba):

There’s also a new video for the Sierra Leonean Black Street Family, shot in Freetown. Hustling and tustling:

And to slow it all down a bit: two singer-song writers to end. A new video for South African Nomhle Nongoge’s ‘Ubuntu Bhako’ (references: soul, Eastern Cape, Simphiwe Dana, Zahara):

And Birmingham-based Laura Mvula’s live session for Hunger TV makes us look forward to hearing her debut album:

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.