Kuduro pioneer Sebem (fresh out of prison; he was in for repeated traffic violations, from what I understand) has a new video out (above); the clip’s rural setting is surprising, given kuduro’s over-all urban flow. Next, a Senegalese collaboration between Djibril Diop and Aida Samb:

Kenyan Jeraw draws inspiration and images from local blockbuster film ‘Nairobi Half Life’:

A new video for Belgian-Congolese (but mostly Bruxellois) rapper Pitcho — taken from his new album Rendez-Vous avec le Futur:

Earl Sweatshirt wrote a “letter” to his South African dad Keorapetse Kgositsile:

From Lesotho, a new video (shot in Mozambique) for Kommanda Obbs:

London-based, Douala-born “one-man band” Muntu Valdo has a new video — not sure why YouTube won’t allow you to embed it:

http://www.youtube.com/watch?v=FaM1_CmxjXk

Swiss-Ghanaian singer/improvisational musician Joy Frempong “Oy”; you already know we’ve been following her work:

And two acoustic sessions to wind down. Guinea-Conakry-born, Canada-residing Alpha Yaya Diallo:

And Cape Town-based Beatenberg (whose debut record ‘Farm Photos’ you should give a listen as well):

Et voilà, back on Monday!

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.