Africa Is a Country

Friday Bonus Music Break, N°28

Africa Is a Country Podcast
African Five-a-Side Podcast

Friday Bonus Music Break, N°28

By
Tom Devriendt

Kuduro pioneer Sebem (fresh out of prison; he was in for repeated traffic violations, from what I understand) has a new video out (above); the clip’s rural setting is surprising, given kuduro’s over-all urban flow. Next, a Senegalese collaboration between Djibril Diop and Aida Samb:

Kenyan Jeraw draws inspiration and images from local blockbuster film ‘Nairobi Half Life’:

A new video for Belgian-Congolese (but mostly Bruxellois) rapper Pitcho — taken from his new album Rendez-Vous avec le Futur:

Earl Sweatshirt wrote a “letter” to his South African dad Keorapetse Kgositsile:

From Lesotho, a new video (shot in Mozambique) for Kommanda Obbs:

London-based, Douala-born “one-man band” Muntu Valdo has a new video — not sure why YouTube won’t allow you to embed it:

http://www.youtube.com/watch?v=FaM1_CmxjXk

Swiss-Ghanaian singer/improvisational musician Joy Frempong “Oy”; you already know we’ve been following her work:

And two acoustic sessions to wind down. Guinea-Conakry-born, Canada-residing Alpha Yaya Diallo:

And Cape Town-based Beatenberg (whose debut record ‘Farm Photos’ you should give a listen as well):

Et voilà, back on Monday!

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.