We are taking a collective break from blogging until Thursday, January 10th to give us a chance to breathe and catch up with our lives. Till then feel free to read our rich archive of posts from 2012, check in with our “Best …”-lists below and follow us on Facebook and Twitter where we may post occasionally in the interim. Happy New Year!
UPDATE: Apologies, but we’ll be back on Monday, January 14th.
After 50 Years of independence in Mozambique, what and how to celebrate?
Depois de 50 anos de independência em Moçambique: o quê e como celebrar?
The founder of a digital archive of African deities explains the motivation behind its creation.
A postmortem on the African Growth and Opportunities Act.
Despite the popularity of the Sahel’s military leaders internationally, most Malians have yet to see improvement to their material conditions at home.
Africa’s biggest filmmakers are rejecting Western demands for resolution and containment in cinema—instead embracing ambiguity, rupture, and silence as tools for historical reckoning of African stories.
Amid Trump’s tariffs, Africa faces trade disruptions, corporate power, and emerging partnerships in its quest to control its economic destiny.
Musical traditions and language from Edo State have moved from the margins of Nigeria’s national (and international) culture to the center.
A new documentary film examines the politics of waste work and discard infrastructures in Dakar.
A portrait of South Sudan’s unfinished journey, where political sacrifice meets everyday survival, and the burden of memory contends with the quiet power of continuity.
In Johannesburg, a new generation of Black cyclists is redefining joy, movement, and solidarity—taking over the streets to ride, to reclaim space, and to reimagine freedom.
A lack of reliable statistics and coherent strategy to address femicide in Kenya, has left a culture of everyday insecurity for women in the country.
In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.
On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.
Europe’s flagship development plan promises investment and partnership—but delivers debt, displacement, and old colonial patterns dressed up in green.
In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.
Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.
Web3 utopians promised a sovereign future for the African diaspora—but what they delivered was a networking club for elites, wrapped in crypto-libertarian hype and Afro-futurist aesthetics.
In the aftermath of the Stilfontein mining tragedy, South Africa must confront not just policy failure but a deeper amnesia: the erasure of women, memory, and indigenous ethics from its extractive economy.
The oppositional sartorial lens of Congolese sapeurs exposes the limits and frailties of representation work in New York’s Met Gala.