Africa Is a Country

5 African Films to Watch Out For, N°19

Africa Is a Country Podcast
African Five-a-Side Podcast

5 African Films to Watch Out For, N°19

By
Tom Devriendt

“Vers la forêt de nuages” (“To the cloud forest”) is a film by Robin Hunzinger, who tells a story about his Ivorian wife Aya and their son Tim (in the image above), travelling in Côte d’Ivoire to pay tribute to Aya’s father who recently passed way. The film intends to offer a portrait of and an “initiation” to the country. Follow the production of the project on its Facebook page. Here’s a first trailer:

The director of “Pars et Reviens Tard” (“Leave and come back late(r)”) Aurylia Rotolo (with help from Xavier Deleu) first met the documentary’s protagonist, “Régis,” while in Tanger, Morocco. Cameroonian Régis — a professional football player in his home country — had plans to make a living in Europe but wasn’t gonna risk his life crossing the Mediterranean Sea illegally. When Moroccan clubs turn out not to be too keen to give him a contract either, he returns home:

http://www.youtube.com/watch?v=yNrjCUQVkeI

For reasons so far unknown, a screening of Jews of Egypt was banned by the Egyptian National Security earlier this week. The documentary is a portrait of the lives of the Egyptian Jewish community in the first half of the twentieth century until their second grand exodus after 1956. “An attempt to understand the change in the identity of the Egyptian society that turned from a society full of tolerance and acceptance of one another … and how it changed gradually by mixing religious and political views into a society that rejects the others,” in the words of the film’s director Amir Ramses:

“Downtown Tribes” is a short documentary created and directed by Amirah Tajdin, and produced by Wafa Tajdin of 8486 Films, commissioned by STR.CRD and shot at their “Urban Street Culture Event” last year (where Dylan and Antoinette also interviewed Just A Band). Loyal AIAC readers will have fun spotting the many familiar faces:

And “A Batalha de Tabatô” (“The Battle of Tabatô”) is a first-time feature by director Joao Viana exploring music, magic and, according to The Hollywood Reporter, “post-colonial angst” in Guinea-Bissau. We’re still interested though, because that same review remarks Viana’s combining “a strong eye and rich subject matter”. Here’s a first teaser:

And here’s another one.

Further Reading

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.