Africa Is a Country

5 New Films to Watch, N°24

Africa Is a Country Podcast
African Five-a-Side Podcast

5 New Films to Watch, N°24

By
Tom Devriendt

The Revolution Won’t Be Televised is Rama Thiaw’s (born in Mauritania, grew up between Senegal and France) second long-feature film. She documents one year in the life of Thiat and Kilifeu, members of the Senegalese Keur Gui band who went on to organize the ‘Y’en a Marre’ movement. This will probably not be the last documentary on the collective:

http://vimeo.com/58118187

(Related: ‘Y’en a Marre’ doesn’t have an English Wikipedia entry, so Ethan Zuckerman created one.)

Further South, Cape Town Hip-Hop (is it a movement?) gets portrayed in Die Hip in Kaapse Hop (“The Hip in Cape Hop”), featuring familiar and less familiar artists such as Dplanet, Rattex –that’s his tune “Welcome to Khayelitsha” in the trailer below–, Emile YX, Codax, Brazuka, graffiti artist Falko, Shameela ShamRock, Driemanskap, Ready D, Rezzano, Azuhl, and Bliksemstraal. Produced by MCL Pictures and LS Design Lab:

http://www.youtube.com/watch?v=gt-eYeoVvrA

On December 17, 1962, Mamadou Dia, President of the Senegalese Council of Ministers, was arrested and given a life sentence, accused of organizing a coup d’état by his friend and companion Leopold Sedar Senghor. He would be imprisoned with four of his closest ministers. Among them, Joseph Mbaye, Minister of Rural Economy, uncle of Ousmane William Mbaye, who made a documentary about what happened in the run-up to that day:

Les Rêves Meurtris (“Shattered dreams”) is a short film by Hady Diawara, dedicated to Yaguine Koïta and Fodé Tounkara, the two young men from Guinée-Conakry who froze to death as stowaways on a flight to Belgium back in 1999:

http://www.youtube.com/watch?v=bFlOS7aL4u0

Une Si Belle Inquiétude (“Such a beautiful restlessness”) is a 12-minutes short by Brahim Fritah, in which he looks back on his travelings between France and Morocco through the use of some of the (archival) photos made along the way:

Bonus: you can watch the film in full over at French news website Mediapart.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.