5 New Films to Watch Out For, N°27

An Oversimplification of Her Beauty is the creative debut feature of director Terence Nance who we got to know through the work he did together with Blitz the Ambassador. His new film is sold as a take on “young love” in the city of New York. First reviews praise, among other things, the mesh of visual styles: 

http://www.youtube.com/watch?v=kZabqZmA9lE

Below’s the pilot video for King Khama: The African Abe Lincoln (assuming the second part of the tile is provisional), a proposed animated movie about Botswana’s King Khama III. Know your history. The project’s website has more details (including excerpts of the script).

The Forgotten Kingdom is a long feature written and directed by Andrew Mudge. The Examiner has an interview with him about the genesis of the film — we learn the production crew was small, “made up mostly of interns from within the country with no film experience”, starring a cast of Basotho and South African actors — and a first favorable review. Predictably, debates broke out on the film’s Facebook wall after the release of the trailer over whether this is “the first film to come out of Lesotho” (the line they’re promoting it with), “a Lesotho film,” or “a South African film”. We won’t wade in. No news yet on when it will be showing in Maseru’s cinemas:



Tik & the Turkey is a one-hour documentary, currently in post-production, depicting the heroin and methamphetamine (also known as “tik”) problem in Cape Town, South Africa and the devastating effects it has on the people and the communities. Some perspective of the story’s urgency: a recent report suggested “1 in 5” (stats depend on who you ask) of school-going youth in the Cape flats are actively using tik.



Ali Blue Eyes is a film by Claudio Giovannesi about an Italian teen of Egyptian heritage (lead role for Nader Sarhan) caught between his conflicting identities. Variety‘s review is onto something when the author remarks that while “(a) young man trying to balance his roots with his environment has long been a familiar figure in cinema, the subject is of more recent vintage in Italy, which has only recently begun coming to grips with an immigrant population.”

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.