Gata Misteriosa and Lee Bass (the Mozambican-Portuguese-Ghanaian-German duo who go by the name of Gato Preto) dropped this new video for “Pirao” last night: no longer strictly kuduro, not yet sure what to call it, but right in time for our weekend special of ten. Video above. Janka and the Bubu Gang (Sierro Leone via Brooklyn) also surprised with this belated video for “Feba”, lifted from their 2012 record “En Yay Sah” out on Luaka Bop:

NPR did a nice feature on Jeri-Jeri recently, the collaboration between the Senegalese Bakane Seck-led drum collective and German producer Mark Ernestus, and premiered their new video, “Gawlo”, featuring Baaba Maal (below). Remember Jeri-Jeri. But there’s more. They’ve been uploading some other studio material onto their YouTube channel as well. Here.

Navio and Unique lay down their rhymes over “1960’s Ugandan beats” on “Leka Kwenyumiriza”.

More conscious Hip-Hop: Senegalese rap group A-J One (feat. Xuman and Ceepee) on “Ndjite” (there’s so much rap coming out of Dakar recently it’s hard to keep up; we’ll write about it shortly):

When Maître Gims (real name: Gandhi Djuna) isn’t collaborating with Sexion d’Assaut or his dad (Franco band singer Djanana Djuna) he’s putting out records by himself. This is from his latest: “VQ2PQ”:

Recorded in Bamako, Mali, in September 2012, ‘Troubles’ is the new album from Dirtmusic, the band headed by Chris Eckman (The Walkabouts) and Hugo Race (Fatalists/True Spirit/Bad Seeds), featuring musicians Ben Zabo, Samba Touré and Zoumana Tereta amongst others. Here’s “Fitzcarraldo”:

Aline Frazão also has a new record out (hoping Claudio might have time to review it soon). Here’s the first single, “Tanto”, with a lovely video:

Omar’s “The Man”, taken from his forthcoming album of the same name (where has he been all those years?):

And finally, Charles Bradley, who we can listen to any day. Live @ KUTX:

H/Ts this week: Zachary, Sean, Ts’eliso and Claudio.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.