Gata Misteriosa and Lee Bass (the Mozambican-Portuguese-Ghanaian-German duo who go by the name of Gato Preto) dropped this new video for “Pirao” last night: no longer strictly kuduro, not yet sure what to call it, but right in time for our weekend special of ten. Video above. Janka and the Bubu Gang (Sierro Leone via Brooklyn) also surprised with this belated video for “Feba”, lifted from their 2012 record “En Yay Sah” out on Luaka Bop:

NPR did a nice feature on Jeri-Jeri recently, the collaboration between the Senegalese Bakane Seck-led drum collective and German producer Mark Ernestus, and premiered their new video, “Gawlo”, featuring Baaba Maal (below). Remember Jeri-Jeri. But there’s more. They’ve been uploading some other studio material onto their YouTube channel as well. Here.

Navio and Unique lay down their rhymes over “1960’s Ugandan beats” on “Leka Kwenyumiriza”.

More conscious Hip-Hop: Senegalese rap group A-J One (feat. Xuman and Ceepee) on “Ndjite” (there’s so much rap coming out of Dakar recently it’s hard to keep up; we’ll write about it shortly):

When Maître Gims (real name: Gandhi Djuna) isn’t collaborating with Sexion d’Assaut or his dad (Franco band singer Djanana Djuna) he’s putting out records by himself. This is from his latest: “VQ2PQ”:

Recorded in Bamako, Mali, in September 2012, ‘Troubles’ is the new album from Dirtmusic, the band headed by Chris Eckman (The Walkabouts) and Hugo Race (Fatalists/True Spirit/Bad Seeds), featuring musicians Ben Zabo, Samba Touré and Zoumana Tereta amongst others. Here’s “Fitzcarraldo”:

Aline Frazão also has a new record out (hoping Claudio might have time to review it soon). Here’s the first single, “Tanto”, with a lovely video:

Omar’s “The Man”, taken from his forthcoming album of the same name (where has he been all those years?):

And finally, Charles Bradley, who we can listen to any day. Live @ KUTX:

H/Ts this week: Zachary, Sean, Ts’eliso and Claudio.

Further Reading

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.