Actual questions from a South African journalist

The long-held and widespread attitudes some South African journalists share about the struggle for liberation.

South African peacekeepers South African UNAMID forces sing to honor the legacy of Nelson Mandela in North Darfur (UNAMID, via Flickr CC).

Sometimes you have to despair at the state of South African journalism, as what is the result of a mix of factors: ineptitude, juniorization, but also often the result of long held and widespread attitudes journalists share about the struggle for liberation. A journalist called me up and asked me this as a question:

“Mandela was a terrorist, yet he became an hero and international icon. Do you think the media and the way they portrayed him had something to do with this?… Why would the media choose to see the good in what he has done rather than focus on the bad?”

I did point out that reading some history might be a good idea.

Nelson Mandela, Deputy President of the African National Congress of South Africa, addresses the United Nations in June 1990 (UN Photo, via Flickr CC).

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.