Aimé Césaire was one of the greatest poets of the last century. His writing was so good that the person who did the illustrations published alongside his poems was Pablo Picasso. Césaire’s best-known works are Cahier d’un retour au pays natal  (1939) and Discours sur le colonialisme (1955), both of which are available in strong translations.

Césaire (born in Martinique in the French Caribbean in 1913) was interviewed by the radical Haitian poet René Depestre in Havana, Cuba, in 1967. Here is one of his remarks:

I have always recognized that what was happening to my brothers in Algeria and the United States had its repercussions in me. I understood that I could not be indifferent to what was happening in Haiti or Africa. Then, in a way, we slowly came to the idea of a sort of black civilization spread throughout the world. And I have come to the realization that there was a “Negro situation” that existed in different geographical areas, that Africa was also my country.

Further Reading

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.