Three South African videos to start with. Cape Town rapper Youngsta moves between the city’s neigbourhoods of Wynberg and the CBD:

…while fellow Cape artist HemelBesem went for a stroll in Utrecht, Netherlands earlier this year. EJ von LYRIK who was on tour with him gets a cameo:

Mafikizolo seem to find a lot of fun in creating retro-styled videos lately:

A Nomadic Wax production for Diamondog, an MC from Angola, currently based in Berlin, Germany:

http://www.youtube.com/watch?v=LJMXM3SC908

From Jumanne’s archives: Kali Kwa Wote Unit from Zanzibar, ‘Tatizo Coins’ (an older song):

Baloji (who no longer needs an introduction) has two songs on the latest (and great) Red Hot compilation, both Fela interpretations. Here’s one of them:

Dinozord — from Kinshasa — could be seen dancing in a KVS-sponsored production recently but rapping is still what he does best:

A new album and a sweet video for guitarist Hervé Samb:

Rap from Québec, Canada: Webster (real name Ali Ndiaye — he has a Senegalese dad):

And another one from Angola: Puto Português and ‘Minha Passada’:

Further Reading

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.