5 Questions for a Filmmaker–Teddy Goitom

Teddy Goitom is a Swedish-Ethiopian/Eritrean content producer and the founder of Stocktown (1998), “a cultural movement celebrating creativity and freedom of souls”, which includes a curated video magazine founded in 2011 as well as the Afripedia-series, which AIAC has covered here. Though his base is in Stockholm, this curious and hard-working creative is constantly shifting between times and places, producing documentaries and creative content online and elsewhere, together with an ever-growing network of creatives. Stocktown has created two TV-series, Stocktown – A Global Underground Journey and Stocktown Africa, and a feature length documentary will be produced in 2015.

What is your first film memory?

I was around seven years old when I found a VHS-tape with The good the bad and the ugly by Sergio Leone. That summer I had the film on repeat and watched it several times a day. I was totally obsessed by it – the music, every scene – and I’d memorize every line and imitate every characters Though my mom used to force me to play outside, I’d always found a way to come back in and watch the film again, and discover something new in it every time.

Why did you decide to become a filmmaker?

I never decided to become a filmmaker and never went to film school. I’m actually still in the process of finding out if that’s what I am. I see myself more as a storyteller.

Ever since I started the Stocktown movement in 1998, I have been interested in building new platforms and finding new ways to broadcast untold and inspiring stories. Whether I produce music events, art exhibitions, documentaries or using new technology to stream stories to a broader audience doesn’t really matter. What matters is story.

Which film do you wish you had made and why?

Enter The Dragon with Bruce Lee, Jim Kelly and John Saxon.

As a young kid, to see a black martial arts hero fighting on the same side as Bruce Lee was groundbreaking. Though we never really got to know Williams, who was played by Jim Kelly and who gets killed way too early, he was the reason I became interested in and started to explore the blaxplotation scene. In my remake, Williams’s story would get much more attention and obviously be much more interesting.

Name one of the films on your top-5 list and the reason why it is there.

Beat Street (1984) opened my eyes to the hiphop scene, which I immediately identified with and which inspired me. It was completely different to films like Saturday Night Fever, like a mix between a musical and a realistic portrayal – almost documentary like – of an underground culture scene that was fresh, dynamic  and transcending geographical and other borders. As I connected to it, I realised the enormous power of film.

Ask yourself any question you think I should have asked and answer it.

“What motivated you to make your last documentary series Afripedia?”

First and foremost: curiosity first and foremost, but also the realisation that there are so many contexts, perspectives and dimensions out there that no one has ever heard about. We put the spotlight on them and make sure that they become known to the world. Our audience consists of people across the world, who are interested in finding out about and connect to creativity regardless of where and how it appears.

Further Reading

A power crisis

Andre De Ruyter, the former CEO of Eskom, has presented himself as a simple hero trying to save South Africa’s struggling power utility against corrupt forces. But this racially charged narrative is ultimately self-serving.

Cinematic universality

Fatou Cissé’s directorial debut meditates on the uncertain fate and importance of Malian cinema amidst the growing dismissiveness towards the humanities across the world.

The meanings of Heath Streak

Zimbabwean cricketing legend Heath Streak’s career mirrors many of the unresolved tensions of race and class in Zimbabwe. Yet few white Zimbabwean sporting figures are able to stir interest and conversation across the nation’s many divides.


After winning Italy’s Serie A with Napoli, Victor Osimhen has cemented his claim to being Africa’s biggest footballing icon. But is the trend of individual stardom good for sports and politics?

The magic man

Chris Blackwell’s long-awaited autobiography shows him as a romantic rogue; a risk taker whose life compass has been an open mind and gift to hear and see slightly into the future.

How to think about colonialism

Contemporary approaches to the legacy of colonialism tend to narrowly emphasize political agency as the solution to Africa’s problems. But agency is configured through historically particular relations of which we are not sole authors.

More than just a flag

South Africa’s apartheid flag has been declared hate speech by a top court. But while courts are important and their judgments matter, racism is a long and internationally entrenched social phenomenon that cannot be undone via judicial processes.