Vampire teeth

Annual review: Hipsters Don't Dance's "Top 10 African-Caribbean Collaborations" of 2014

Markus Spiske, via Unsplash.

2014 was a year when our musical worlds began to collide and we saw an increase in African artists working with artists from the Caribbean. This is a really big development as some DJs have seen similarities between the musical styles for some time, now artists are jumping on board and helping the sound to develop and grow. Although we still can’t figure out the government endorsed cultural link between Trinidad and Nigeria (Calabar in particular.) We have seen a sudden explosion of these 2 cultures colliding, with the most successful collaboration being Timaya and Machel Montano’s Shake Yuh Bum Bum. Similar artists teaming up together created something magical and we hope that they do it again. M.I. featured Jamiaca’s Beenie Man on his LP and Samini had Popcaan on a single as well. Busy Signal lead the way merging dancehall and afropop with his versions of P Square’s Personally and Mafikizolo’s Khona. We are glad that these artists are working together, not only does it broaden their appeal but selfishly it provides us with more ammunition for the clubs! Here are our top picks for 2014:

Timaya feat Machel Montano – Shake Yuh Bum Bum (Official Soca Remix)

P-Square feat Sizwe – Alingo (Victorious Remix)

2face Idibia feat Machel Montano – Go

M.I feat Emmy Ace and Beenie Man – Wheelbarrow

Samini feat Popcaan – Violate

Ding Dong – Ginja

Kalado – Personally

Busy Signal – Professionally

Busy Signal – Bou-Yah (Vampire Teeth)

Fuse O.D.G. feat Sean Paul – Dangerous Love

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.