Africa is a Radio is back for April with both classic and contemporary sounds out of Africa and its diaspora.

Tracklist:

1 Ricardo Lemvo – Habari Yako (Rumba Rock)
2 Papa Noel – Bon Samaritain
3 Fuego & Sango – Se Me Nota
4 Wyclef Jean – Leve’l Pi Wo feat. Power Surge
5 Willie Colon – Eso Se Baila Asi (Uproot Andy Remix)
6 Shadow – Killing Me (Subculture Sounds Remix)
7 Hugh Masekela – In the Jungle
8 Carlos Lamertine – O Dipanda Sondo Tula Kia
9 Amara Toure – Salamouti
10 Neg’Marrons – La Voix du Peuple
11 Booba – Validee feat Benash
12 MC Soffia – Menina Pretinha
13 Khuli Chana – Money
14 Serge Beynaud – Okeninkpin
15 Linegras – Malandra

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.