It’s the last music break of the year, and we leave 2016 with the 101st edition. It’s been a pleasure for me to do these playlist. If you’ve been enjoying them as well, make sure to donate to our end of the year funds drive, so we can continue to expand our coverage of the global African pop culture map!

Weekend Music Break No.101

1) This edition we kick things off with Blitz the Ambassador who has a new album out this week. The above video, shot in Salvador de Bahia, Brazil, is the final installment of his self-directed Diasporadical video triology (we’ve featured part 1 and part 2 here before). Be sure to check out the album that perfectly accompanies this video short collection. 2) Next up, we head to Nigeria with Santi and Odunsi and their “Gangster Fear” video, shot in Lagos’ streets and teenage house parties. 3) After that we get some rhythmic fire from Cameroon’s Reniss, who teaches us about the joys of Cameroonian cooking. 4) We have a habit of posting Booba videos here on the Weekend Music Break, why break with tradition? Headed to DKR (and once again linking with Sidiki Diabate) to represent his Senegalese roots, Booba certainly shows he has no intention to. 5) UK Afrobeats og Silvastone teams up with Frank T Blucas in the video for “Remedy” showing a warmer side of London that is probably being missed by that city’s residents right now. 6) Teddy Yo and Joe Lox take us to Addis Ababa showing what might be the exciting growth of an indigenous Ethiopian Hip Hop scene? (Take back those samples brothers!) 7) A UK-raised Sierra Leonean, Brother Portrait reflects on the Black British experience in this video poem for “Seeview/Rearview”. 8) Next up Ghalileo attends a funeral in Ghana, and channels a history of pan-African leadership in the process. 9) Then, Vic Mensa takes on police brutality in Chicago. 10) And finally, Star Zee takes on “2 Much” corruption and general social malaise in Sierra Leone.

Have a great weekend and a very happy holiday season wherever you are, and whatever you believe!

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.