
Angola’s Biennale
It is hard to find critics asking what Angolan artist Edson Chagas’s work does, the context through which it was produced, or the social conditions it draws attention to.
6393 Article(s) by:
Fatima B. Derby is a Ghanaian feminist writer and queer activist.

It is hard to find critics asking what Angolan artist Edson Chagas’s work does, the context through which it was produced, or the social conditions it draws attention to.

Nelson Mandela would recognize himself in young protesters for whom freedom has been postponed and view South Africa’s government as an obstacle.

Preparations for the 2014 World Cup have served as a trigger for what may become a major political and social movement in Brazil.

Rick Ross has since deleted a tweet about landing “in the beautiful country of Africa.” He deserved all the scorn. He’s been to three African countries already and should know.

The long-held and widespread attitudes some South African journalists share about the struggle for liberation.


A meditation on left footed footballers, especially wingers, given the conventional wisdom that lefties are always useful to have in a match.

Bousso Dramé, a young Senegalese winner of a French prize tells the organizers of a prize to shove it.

In a rapidly changing city like Luanda, it is important to be able to catalogue all of its eating establishment, or at least those that our wallets and stomachs allow.

Townships and informal settlements are not dump grounds but living breathing communities where the residents are tired of being treated like shit.

Even after the Mau Mau case the British will never stop kidding themselves about the crimes of empire.


In her work, Ellen Gallagher defiantly challenges linear perspective to redress what fellow African-American artist Theaster Gates has called “the African non-archive.”

What precisely is new about new African writing and what makes it different from what we have seen before?

Discovering that history lessons are best learned when you look up whilst walking through the small streets of the Netherlands’ commercial capital.

What it means to belong in post-apartheid urban space and how to reckon with history.

An Interview with Abderrahmane Sissako, director of films like ‘La Vie Sur Terre,’ ‘Rostov-Luanda,’ ‘Waiting for Happiness’ and ‘Bamako.’

That South Africa has a “Pro Twerk Team” may seem like a great opportunity to see twerking from a new, non-American perspective. Or to throw shade.

Why the ruling MPLA wants to control how we remember the murder of dissidents killed right after independence.