
The eyes of people who don’t exist and never have
The Dutch artist Ruud van Empel talks about his art, including his portrayal of black children as ideal types from middle class Dutch 1960s backgrounds.
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Fatima B. Derby is a Ghanaian feminist writer and queer activist.

The Dutch artist Ruud van Empel talks about his art, including his portrayal of black children as ideal types from middle class Dutch 1960s backgrounds.

Public history about Afrikaners in South Africa is disingenous and predictabiy don’t want to deal with history.

The US Major Soccer League is luring foreign players, especially decent African players, and not just those whose careers are on the wane.


The question for Western journalists is this – when it comes to Africa, why do you not tell the whole story of the humanity at work even in times of extreme violence?

Thierry Michell’s portrait of Congolese businessman-governor-football club owner Moïse Katumbi is among a few new films at the Belgian Afrika Film Festival.

A BBC interview with Julius Malema, a South African political leader and acolyte of Chavez, is exhibition 1,000,003 mainstream media framing of the late Venezuelan president.

The legacies of Apartheid’s death squads and the South African Truth and Reconcilation Commission.

A Dutch documentary film explores increasing migration and trade links between African countries, their citizens and China.


The Pistorius’ murder trial is a good time to review how New York Times reported on another South African killing: Marikana.

The historian Robert Vinson explores Garvey’s influence in South Africa in the 1920s and 1930s.

The Zimbabwean photographer, Nancy Mteki, picks her five favorite photographs and shares some words about how and where the images were made.

In “Searching for Sugar Man,” Rodriguez the man feels more like an awkward prop in a story of white redemption rather than the star of his own movie.


How does it feel to be an African asylum seeker in Europe.