6395 Article(s) by:
Fatima B. Derby
Fatima B. Derby is a Ghanaian feminist writer and queer activist.

New public TV series from South Africa: “I am Woman”
Friday Music Break, N°10

Afropolitan Divas
Numbi, a gathering space for the Somali diaspora artists in the UK, expands its focus to include poetry and music from elsewhere in East Africa and elsewhere at a showcase in East London.

The future of Françafrique
Is it France’s interests to reform its unequal, exploitative relationship with Africans?

Radio Freedom’s Afrikaans Service
Learning that Radio Freedom, the exiled ANC’s radio service, broadcast in Afrikaans, further undermines the idea of the language as belonging to the oppressor.
Achille Mbembe at the Tate Modern

Livetweet Recap: NYT (and Vogue Italia) “Rebrands Africa” (again)

The elephant in the room
The DJ’s, Venus X and Boima, talk about their approach to music, but also about their run-ins with tastemaker Diplo, who has shaped popular music tastes globally.

Coca-Cola can’t copyright colour: the art of Sokari Douglas Camp

Uptown Sahel
Thinking about ways that Africa is represented by NGO’s and other international organizations.

First as tragedy, then as farce
What is it with the conviction, held primarily in the West, that you can save yourself and the world (well, usually Africans) by shopping?

Congo Gold
Congolese-Belgian MC, Baloji: “In Congo, we had gold, but we turned it to something that had no value because we didn’t treat our country with the right respect.”
Acoustic Guitar Break
Africanos Latinos

Africa as Science Fiction
Science fiction as genre offers the opportunity to African artists to consider Western cartographies of the future as fictions in their own right.

An Ode to Oshodi Market
Old Oshodi highlighted the complexity of the city, showcasing the ingenuity of the people of Lagos in their use of the informal market in making a living.

Somewhere between folklore, memoir and modern fiction
Reading Yewande Omotoso’s novel “Bom Boy,” just when you think you’ve figured the characters out, the author opens them up a little more, and our perceptions change.

We’ve always been migrating
A film about a Sudanese migrant to America explores a general fact of contemporary existence.

The Passing of Ernest Cole
We don’t know why the South African photographer decided to apply to become “coloured” under Apartheid’s racial classification laws.