Africa Is a Country

Acoustic Guitar Break

Acoustic Guitar Break

By
Sean Jacobs

We thought it would be nice to compile a Bonus Music Break centered on acoustic guitar music. First up is Toronto-based Ghanaian Kae Sun with “Lion on a Leash”:

Another Ghanaian: Kesse (made his breakthrough on Ghana’s version of American Idol) was profiled by The Fader last year:

Then there’s German-Nigerian Ayo:

And video of a 23 minute live set by Asa, France-based Nigerian (credits: “Fire on the Mountain,” “Mr Jailer,”), recorded in San Francisco:

http://www.youtube.com/watch?v=II668alI00g

Bez, the young Nigerian (remember him?) will be in New York City next week (Society HAE has the details)

You can’t say acoustic guitar music and not include Michael Kiwanuka, Ugandan-born British crooner. He is a big part of our regular Twitter #musicbreaks.

Stateside, there’s Cody ChesnuT. (BTW, while below he slows things down, I’ve seen him crank it up with The Legendary Roots Crew):

http://www.youtube.com/watch?v=PTuj3jYehtE

And Gary Clarke Jnr with a stripped down version of my favorite tunes (remember him?)

Further Reading

An unfinished project

Christian theology was appropriated to play an integral role in the justifying apartheid’s racist ideology. Black theologians resisted through a theology of the oppressed.

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.