
We’ve always been migrating
A film about a Sudanese migrant to America explores a general fact of contemporary existence.
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Miguna Miguna is a Kenyan activist and lawyer.
A film about a Sudanese migrant to America explores a general fact of contemporary existence.
We don’t know why the South African photographer decided to apply to become “coloured” under Apartheid’s racial classification laws.
What does all that mean for French-African politics? It’s hard to tell what will next emerge from that fetid swamp.
A remarkable amount of new films in recent months have used migration, detention and illegal sea crossings as their subject matter.
The film, “Come Back, Africa,” first released in 1959, challenged how white liberals imagined black people or tried to shape their struggles in South Africa.
A locally produced arts festival creates panic for Angola’s authoritarian government, who has, predictably, responded with panic and repression.
Kenyan activists raise their voices, placards and fists over US$500 million allocated but not yet spent for anti-retroviral medications. That’s a lot of money, drugs, and lost lives.
Malians have little patience for Amadou Toumani Touré, Mali’s former president, deposed in a coup on 22 March.
Tintin is full of offensive, racist, stereotypes. Should Africans take the publishers to court? No, argues the author; it is counterproductive.