
Intellectual Property Propaganda
Intellectual property protection has never been shown to promote economic development in developing countries.
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Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.

Intellectual property protection has never been shown to promote economic development in developing countries.

Nkosinati Biko on a close and present relationship with his father that is unusual for children in general and for the children of activists in particular.


Short film about the rhythm of daily life in Sierra Leone, and the dancing talents of the country’s women.

Die Antwoord play the media game well. What they still do badly is “borrowing” from other people’s work.

Congolese artists Konono N°1 and Baloji collaborated by merging “traditional” sounds from Africa’s biggest country with hip hop.

The challenge of creating anti-commercial rap in Angola: a market with bling, swag and surly sisters.

Aava DuVernay leads a movement to organize African-American film festivals and secure theatrical releases for black independent films.

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Number 8 in our series, Paris Is a Continent, showcasing the music of the French capital, is about bragging rights and one song.

Hip hop artists from Stockholm and Helsinki team up; also repping their ancestral lands of Congo and The Gambia.

Just a sample: A “Heart of Darkness”-themed ship, Tarzan in South Africa and a travelogue on the Congo River.

We have a new @Africasacountry Twitter account. Follow us there and on Facebook too.

The talk show host started a private school for girls in South Africa. Shocker: it mostly makes things worse.

Thandi Newton choice as a female lead in the screen adaptation of “Half of a Yellow Sun” has some people upset.

What countries do footballers playing in Europe’s top five leagues come from? That’s not such a straightforward question and answer.

Despite her reluctance, Zarina Bhimji’s work does engage with her personal history of Indians’ expulsion from Uganda.