
The whole ‘Afrobeats’ thing
Afrobeats is broadly what most people think when they try to define black music in the UK. But it is hard to pin down.
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Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.

Afrobeats is broadly what most people think when they try to define black music in the UK. But it is hard to pin down.

There needs to be another solution than free market capitalism globally to promote artistic creativity. The experience from Sierra Leone is not encouraging.

The politics of lists like the “Top Thirty Think Tanks in sub-Saharan Africa.”

A Mexican research group has listed the world’s most dangerous cities based on homicide rates. South Africa’s cities finish tops.

“Afro-Spectacle,” a music and film event by DJ collective, Dutty Artz, explores the working class African immigrant experiences in the city.

The clear signs of African influence on the Arabian Peninsula and the cultural fluidity that exists throughout the Indian Ocean.

A new film goes in search of the renowned architect and some of his work in Maputo, capital of Mozambique in southeast Africa.

Corporations have tried and succeeded in cashing in on the political revolutions known as the “Arab Spring.” Tunisia is the latest victim.



Nelson Mandela has always elicited divergent, incorrect and unrealistic reactions among his detractors and supporters.

Paul Simon’s Graceland album and tour defied the cultural boycott, yet some argue it positively influenced South African music and politics in the late 1980s.

The children of immigrants prefer Francois Hollande and the Socialists in France’s presidential elections. (Paris is a Continent, number7.)