http://youtu.be/il7o5zG7jB0?t=12s

Sarkodie takes a break from the Azonto and jumps on a Hammer beat, getting back to his rap (Hip-pop? Tema-pop? Hip-life?) roots. The interpretive dancing, and artsy black and white beach shots make it seem like the director has been watching some Ingmar Bergman.

The track, featuring Obrafour on the hook, is from “Rapperholic,” a recently released album. I don’t think this is the much anticipated (by me) Konvict music album, but I’m excited to hear it regardless.

Further Reading

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.