http://youtu.be/il7o5zG7jB0?t=12s

Sarkodie takes a break from the Azonto and jumps on a Hammer beat, getting back to his rap (Hip-pop? Tema-pop? Hip-life?) roots. The interpretive dancing, and artsy black and white beach shots make it seem like the director has been watching some Ingmar Bergman.

The track, featuring Obrafour on the hook, is from “Rapperholic,” a recently released album. I don’t think this is the much anticipated (by me) Konvict music album, but I’m excited to hear it regardless.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.