Colonial Fantasies

Just a sample: A "Heart of Darkness"-themed ship, Tarzan in South Africa and a travelogue on the Congo River.

DeWet Du Toit, the white South African living out a Hollywood-fantasy as a "real-life Tarzan" (Flickr).

The arts and culture site, Blackbookmag.com, reports that two British artists have built a “Heart of Darkness”-themed hotel in the shape of a steamboat on the roof of a Thames River arts center in London. It is named Roi des Belges (King of the Belgians). They charge between 120 and 185 pounds for singles or couples per night to stay in the hotel. “Inside, the cozy paddle steamboat is lined with timber, vintage books, and props that echo details from Conrad’s works, such as maps of Africa.”

Roi des Belges on the Thames.

Two days ago, The Guardian (of all publications) put up a travel piece with this introduction: “I was alone in the middle of deepest, darkest Congo. Worse still, I was being chased by eight angry tribesmen in two dugout canoes – and they were gaining on me.” We figured it must be a joke.

Then there’s DeWet Du Toit, who left South Africa to work as a security guard in Manchester, and returned to George, a coastal town in the Western Cape region of South Africa (where else?), where he lives out his fantasy as ‘the real Tarzan’, complete with promotional video, animals, black helpers and friendly news coverage (he wants to break into Hollywood like Charlize Theron and District 9). It is not the 1950s anywhere.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.