
The Whitney Soundtrack
Whitney Houston died on February 11, 2012. What does it mean to lose the soundtrack to one’s life?
Whitney Houston died on February 11, 2012. What does it mean to lose the soundtrack to one’s life?
Aline Frazão resists Lisbon media's pigeon-holing practices of post-colonial Portuguese paternalism.
Some coupe decale to warm you up for the African Cup of Nations final later today
http://www.youtube.com/watch?v=ENNr_Mw2hNs Some mellow Togolese sounds and a sunny video.
Surfing as leisure and a sport has historically been associated with whites in South Africa, though
So rapper 50 Cent (accompanied by American journalists) was in Somalia and Kenya this week to
http://www.youtube.com/watch?v=H8DqXwojm68 This is Hache. Oh, and the DJ. And that’s your music break.
Nigerian D'Banj draws big crowds on the continent and regularly plays the diaspora circuit in cities like London. Next, pop stardom.
Aboutrika is the ‘superman’ of Egypt’s football, probably the best African to never play professionally in Europe and a political leader.
8 of 13 Senegalese opposition candidates trying to unseat Abdoulaye Wade in the upcoming presidential elections
A Nollywood director has reached the dizzying heights of Hollywood, and all the famous names that come with it. What can happen?
Somali-Canadian R&B Singer A’maal Nuux wants to be Mufasa. The description of the song on Youtube says,
The Egyptian artist Nadine Hammam’s work maps out the social and psychological position of the female body through the dialectic of the naked and the nude.
http://youtu.be/tBfMuf_JjI0 One of the best rappers alive, featuring the lady who sang the original hook on
This week saw the passing of Don Cornelius. You’ll remember Letta Mbulu was once a guest
Intellectual property protection has never been shown to promote economic development in developing countries.
Big up @M.anifest for the new video (showcasing Accra’s transportation infrastructure), and congrats to the Black
Short film about the rhythm of daily life in Sierra Leone, and the dancing talents of the country's women.
Die Antwoord play the media game well. What they still do badly is "borrowing" from other people's work.
Congolese artists Konono N°1 and Baloji collaborated by merging “traditional” sounds from Africa's biggest country with hip hop.