Somali-Canadian R&B Singer A’maal Nuux wants to be Mufasa.  The description of the song on Youtube says, “This song touches on the devastation and upheavals afflicting Somalia… offers a message of hope calling on the people that a devastated nation can actually rise from the ashes of war!” A little Somali pride in your radio R&B. I can’t be mad.  I appreciate that more and more artists aspiring to the mainstream in the Americas are able to foreground their African heritage. Not too long ago it would have been a detriment. And although not necessarily a direct reference to the Lion King, just like the American President she flips the stereotype. Nice one!

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.