So rapper 50 Cent (accompanied by American journalists) was in Somalia and Kenya this week to visit people living in refugee camps displaced by the civil war with Islamic militants. Expect lots of ’50 in Somalia’ reports on US television. 50 Cent, who joins a long line of celebrities helping Africans (he is being touted as the 21st century celebrity humanitarian already) handed out food and danced with the children. He also had enough time to pose for what looks like a movie poster shot with children (above) and a soldier (below), and to promote his energy drink Street King. If his Facebook page receives 1 million “likes” by Sunday, 50 will donate an additional one million meals. And he’ll sell more Street King in the process. We’ve also learned something about Somalia in the process.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.