
When I was in school, being African was a diss
Here's Hipsters Don’t Dance's monthly installment of "Top World Carnival Tunes" for July 2015.

Here's Hipsters Don’t Dance's monthly installment of "Top World Carnival Tunes" for July 2015.

Offering a glimpse at daily life in the West African mega city.


A new book highlights African innovation, challenging dominant perceptions of the continent.

An interview with musician, Kevin Flórez, about how a music imported by West African sailors to 1970s Colombia became the soundtrack of his city, Cartagena.

The producer and beatmaker, Tweezy, is behind many of 2014 and 2015's most successful South African hip hop somgs.
The combined sounds of indigenous groups from northern Colombia with the drums imported with African slaves in Cartagena, once the biggest slave port of the American continent.



The Basotho people must have a stake in the production and distribution of their culture.

An interview - captured on film - with Cape Town-born artist Kemang Wa Lehulere about his work.

Here's two: Cultivate solidarity, not pity. And, showing suffering should be specific. Study up.

In 1976, the American tennis star, Arthur Ashe, went to play in a tennis tournament in Lagos and promptly found himself in the middle of a coup by Nigeria's military.


Ts'eliso Monaheng meets with Cape Town's beatmakers, including the celebrated jazz bassist, Shane Cooper, known as Card on Spokes.

In the work of the novelist, Okey Ndibe, the influences of the United States, especially that everything is available for a price, is everywhere in Nigeria.

An interview with documentary filmmaker, Adam Sjöberg, on the choices he made for his film, "Shake the Dust," about documentary.

In Morocco, the real story is once more that of women organizing, pushing back and pushing forward, creating new spaces precisely where others try to shut them down.