This week I thought I’d try something a little different, inspired by some links I came across on Twitter.  Earlier this week, John Edwin Mason tweeted a story from The Guardian featuring five African musical acts to watch in 2015.  Three of the five acts featured in this article were either hip hop acts or heavily influenced by hip hop.  Reading this story made me think about the huge number of artists that are virtually unheard of here in the United States, but enjoy large followings throughout Africa and the diaspora.  Many of these talents are featured on African Hip Hop, the focus of this week’s post.

This site first appeared in 1997 under the name Rumba-Kali Home of African Hip Hop (the remains of the original site are available here).  It’s original focus was, and continues to be, on “unifying everybody who’s inspired by hip hop and by the cultures of Africa and of African origins.”  While at different points in time the site was sponsored by organizations like the Madunia Foundation, the Africa Server or This Is Africa, currently the site is independently run by a team of contributors spread throughout both the continent and the diaspora.  These contributors present a range of stories, from posts on recent hip hop releases to music videos to feature stories with more substantial content.  Readers can explore the history of Nigerian hip hop or a critical appraisal of American artists using African nations as backdrops in their videos or hip hop’s role as a political tool in Gabon.  Though the site isn’t updated on a regular basis with stories of this type, there is a lot already available and it’s definitely worth exploring.

In addition to individual blog posts, the site hosts regular columns, including The Hip-Hoppreneur by Cedric Muhammad on the business side of things and Bottom Juice by MissJackee which focuses on new sounds from the continent.  Africanhiphop.com also hosts several monthly radio shows, including the newly launched Africa Is Hot and African Hip Hop Radio.  The team producing African Hip Hop Radio consists of presenters from sixteen different countries, providing a broad range of musical selections.  You can listen to the first episode of Africa Is Hot below.

[soundcloud url=”https://api.soundcloud.com/tracks/158991909″ params=”color=ff5500″ width=”100%” height=”166″ iframe=”true” /]

There are also several documentary projects linked to the site, including Hali Halisi: Rap as an Alternative Medium in Tanzania and a series of videos from Nomadic Wax on Global Hip Hop Culture, hosted by Zimbabwe Legit’s Dumi Right.  Finally, in addition to enjoying music and content on the site, a number of mixtapes have been made available for download, including songs from Ghanaian artist Blitz the Ambassador and Gambian-American Say-hu.  Such a wide range of perspectives and so many different styles of hip hop are collected on this site, making it a phenomenal resource for not only learning about African hip hop but also exposing more listeners to these infectious sounds.

This project is entirely independent, so the creators invite any one with information on the development of hip hop in Africa to contribute any materials or stories that they might have.  You can contact the team via this form.  You can also follow African Hip Hop on Twitter (@africanhiphop.com) and Facebook.

As always, feel free to send me suggestions in the comments or via Twitter of sites you might like to see covered in future editions of The Digital Archive!  We’ve been getting some good suggestions from readers that will be reviewed soon!

 

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.