[youtube=http://www.youtube.com/watch?v=vuHW3X5QKzY&w=500&h=300&rel=0]

“I well remember hearing my first Tinariwen songs. I was about five. After the death of my mother, my father was obliged to take me to live with my grown-up sister. One morning I was sitting in front of the house and this guy walked by singing a song by Inteyeden called ‘Imidiwan Kel Hoggar’ (‘My Friends the Hoggar People’). It went straight into my brain.” (Ousmane Ag Mossa, lead singer of Tamikrest)

Tamikrest (from Northern Mali) recently toured Europe where they recorded this session for They Shoot Music – Don’t They.

[youtube=http://www.youtube.com/watch?v=xkmGBxcuoHs&w=500&h=300&rel=0]

Tom Devriendt

Further Reading

An unfinished project

Christian theology was appropriated to play an integral role in the justifying apartheid’s racist ideology. Black theologians resisted through a theology of the oppressed.

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.