These photographs (above and below) by South African Rushay Booysen (from Port Elizabeth in the Eastern Cape province) forms part of the  “Africa Uploaded: Experiences Through The Lens” (offline) exhibit next month–December 7 till 31, 2010–in the United Arab Emirates “… curated by Annabelle Nwankwo-Mu’azu and under the patronage of Nobel Laureate, Prof Wole Soyinka.”  The rationale for the exhibit: “… This exhibition focuses on the work of a groundbreaking generation of artists, capturing their experiences as ‘Afrophiles’ and cultural trailblazers. The experience is multi-sensory and employs photography, video projections and film.” Apart from Booysen, the featured artists–all photographers–are Angèle Etoundi Essamba (Cameroon), Uche James Iroha (Nigeria), Antony Kaminju (Kenya), Mandla Mbyakama (South Africa), Aida Muluneh (Ethiopia), Ntare Guma Mbaho Mwine (Uganda/USA) and Lindeka Qampi (South Africa). Anybody passing through the UAE this month?

Further Reading

Trump tariffs and US Imperialism

Trump’s April 2025 tariff blitz ignited market chaos and deepened rifts within his own coalition. Beneath the turmoil lies a battle between technocrats, ultranationalists, and anti-imperial populists, all vying to reshape—or destroy—American global power.

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.