Deafening Silence

Why the deafening silence from African artists and musicians following the murder of gay activist David Kato?

David Kato.

This Is Africa points out that musicians are usually the first to speak out on behalf of the underdog. But not if you are lesbian or gay, apparently. Media houses are usually the first to complain when they’re the subject of censorship. Again, with the media it seems freedom of speech is a value that is only sometimes worth protecting. The Ugandan newspapers, “The East African” and “Monitor” have refused to run an advertisement paying tribute to David Kato, Uganda’s first openly gay man and at the head of many of the gay rights struggles there before he was murdered on January 26th, 2011. The ad in The East African and The Monitor was to be paid for by my colleagues at Open Society Institute of Eastern Africa. The publishing houses wanted some of the text “toned down,” which OSIEA refused to do.

Kudos then to British-born R&B singer, Marsha Ambrosius, for her recent video against homophobia.

It tells the story of a black gay couple who are socially shunned, and jointly commit suicide. Congratulations to Ambrosius for speaking out (see the props here from Colorlines).

The messaging, however, is a little clumsy. For one, it did not need the monologue by Ambrosius at the end. The song and the video stand on their own. Neither is the reference by Ambrosius to “alternative lifestyles” helpful. Finally, since the video clearly has a social message, surely it would have been smarter to depict a couple overcoming prejudice rather than succumbing to it in such a stylish manner?

Further Reading

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.