Reporter Janny Scott in The New York Times, and the author of “A Singular Woman: The Untold Story of Barack Obama’s Mother,” writing about Stanley Ann Dunham:

The president’s mother has served as any of a number of useful oversimplifications. In the capsule version of Obama’s life story, she is the white mother from Kansas coupled alliteratively to the black father from Kenya. She is corn-fed, white-bread, whatever Kenya is not. In “Dreams From My Father,” the memoir that helped power Obama’s political ascent, she is the shy, small-town girl who falls head over heels for the brilliant, charismatic African who steals the show. In the next chapter, she is the naïve idealist, the innocent abroad. In Obama’s presidential campaign, she was the struggling single mother, the food-stamp recipient, the victim of a health care system gone awry, pleading with her insurance company for cover­age as her life slipped away. And in the fevered imaginings of supermarket tabloids and the Internet, she is the atheist, the Marx­ist, the flower child, the mother who abandoned her son or duped the newspapers of Hawaii into printing a birth announcement for her Kenyan-born baby, on the off chance that he might want to be president someday.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.