“The Minister of Finance,” one of a series of over the top, mock portraits by Zimbabwean-born, Johannesburg-based artist  Kudzanai Chiurai. The work was first exhibited as “Dying to be Men” and is currently on show in London (at the Victoria & Alibert Museum as part of a big show on contemporary South African photography) as “The Parliament.” Below is the PR from the Victoria & Albert. You can also see the full series on the website of his South African gallery’s website:

His satirical series The Parliament depicts the fictitious characters of an imaginary government cabinet in a parody of media representations of masculinity and political power. The series draws upon the conventions of African studio portraiture, dramatised magazine features, hip-hop, film and fashion as well as the story lines, stereotyped characters and plots of soap operas.

Here’s the Minister of Education:

And, the Minister of Defense:

Further Reading

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.