Hugh Masekela’s ‘Stimela’ gets a makeover

Wynter Gordon's remake of 'Stimela' suggests more challenging possibilities.

Hugh Masekela in 2012. Image credit Mário Pires via Flickr.

Wynter Gordon, theR&B singer-songwriter, is taking a considerable step outside her comfortable mid-commercial range with her new single, “Stimela,” and its self-directed video, but it’s hard to argue that it isn’t reeking of the worst type of structural World Music arrogance. It practically has it all: the cleverly metaphorical words from Hugh Masekela’s lament of migrant workers reduced to exotic vocal effect. (Or are they? “Running, running…”) The full gamut of stereotypes of Africa – wilderness, tribalism, “wisdom and truth” and the ignorant generalization of having a tiger to represent Africa. Watch:

But something in the blinking, refracting shadows of the video and the Weeknd-inspired cross-linking swirl of wavering sound suggests more challenging possibilities: borders dissolving between human, animal and machine, and between certainties and stereotypes. “I’m a hostage in this skin,” she sings, yet somehow the music and images make escape from the power structures sound eminently possible.

And here’s the original:

Further Reading

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Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

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Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.